SPRING 23 (2020) Contents
Introduction
/ About the Cover
Michael Webster
5
Pararhyme
in E. E. Cummings’ “Sonnets—Realities”
Richard D. Cureton
8
Genres of
Psychological Conflict, Limitation, and Loss in the Poetry of E. E. Cummings
Richard D. Cureton
38
Cummings and Sound
Millie Kidd
54
Three Poets
Zelda Friedman, Gillian Huang-Tiller, Michael Casey
65
Avant-Garde Cummings
“I am that I
am”: The Dadaist Anti-Fiction of E. E. Cummings
Rubén Abella
68
“Baby-Talk”
or Artistic Precision:
Cummings’
“Post Impressions” in &[AND] and No Thanks to R. P.
B.
Gillian Huang-Tiller
83
More Poems
Margaret Roncone, Yannis Livadas, Guy R. Beining, Gerald Locklin,
George Held, Richard Cureton, Michael Dylan Welch
108
Kosti’s Ramón
Ramón Gómez de la Serna and Richard Kostelanetz
123
Cummings and Others
Harry
Wills
E. E. Cummings
125
The Poetry of Silence
E. E. Cummings
131
Afterword to “The Poetry of Silence”
Michael Webster
140
Reviews
Review of J. Alison Rosenblitt, E. E.
Cummings’ Modernism and the Classics:
Each Imperishable Stanza. (Oxford University Press, 2016)
Etienne Terblanche
159
Review of Michael Tisserand, Krazy: George Herriman, a Life in Black
and White
(Harper / Fantagraphics, 2016)
Taimi Olsen
163
Review of Zénó
Vernyik, Cities of Saviors: Urban Space in E. E. Cummings’ Complete
Poems, 1904-1962
and Peter Ackroyd’s Hawksmoor (Szeged: Americana Ebooks,
2015)
Eva M. Gómez-Jiménez
168
News, Notes
& Correspondence
173
Passings: Yasuo Fujitomi, Bethany Dumas, and Gerald Locklin
208